exhibitions
Noa Goren: Blossom
In the Blossoms collection,I used the object itself, as Readymade.
I "set" gems and pure gold without intervening on my part. I ask to turn the attention to the beauty of the lost pieces by emphasising the beauty of it.
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Blossom
Pieces of life lay in the meeting point of water and sand, telling the story of disintegration.
Naked of content.
Memories of a wooden paddle, an elegant glass flower vase, a lace tablecloth that covered a dining table.
Materials for which time has left unknown.
I am -- Isolating, cleaning, and watching. Bringing things back to life.
Havatzelet Haramati
DUPLICATION
pieces of costal waste founded on the local shore, transformed into colourful patterns and textile pieces.
DUPLICATION
Cross
Noa Goren
Creating a world from a submerged memory with gentleness and respect for the story. Watching how a new story comes to life from the sockets and grooves. Perpetuates the beauty thrown on the beach and relates to the treasure contained in the disintegrated costal waste.
The series of crosses came to life during the work process. From the sockets and slits of the old and weary glass, a rich collection of crosses were born. They were always there. Hidden in the decorative slits.
woodu
The wood and glass are my inspirational material for a series of jewelry born from the preservation and tattooing of textures, jams and grooves.
My intervention in the material and the imprinting of wax surfaces and traditional casting processes, silver and gold jewelry were created, and they are the memory of the object that was thrown.
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Noa Goren
The collection explores new aesthetics - costal waste images uses as decorative elements printed on standard IKEA plates. This plate collection draws connections between consumption, waste, and the environment and fuses the local, one-off "materials" with the mass IKEA product into pieces for everyday use.
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